Während der Ferien bei den Grosseltern in Jerusalem besucht der 12-jährige Aaron viele Ausgrabungsstätten und Sehenswürdigkeiten. Er erlebt dabei die Geschichte einer faszinierenden Stadt, die fast 4.000 Jahre alt ist. Ab 10.
Evangelische Christen deutscher Sprache kommen als temporär Entsandte der Evangelischen Kirche Deutschlands (EKD) auch mit dem Auftrag zu einem interreligiösen Dialog nach Jerusalem. Die Stadt Jerusalem stellt mit den dortigen politischen, sozialen, kulturellen, gesellschaftlichen Gegebenheiten den Rahmen für diesen Dialog. Auch neue inhaltliche Aspekte werden in das Dialoggeschehen eingebracht, wie bspw. Jerusalem als Heilige Stadt der drei Weltreligionen Judentum - Christentum - Islam, Biblische Geschichte, Historie, aber auch Jerusalem als Nagelprobe für eine Zweistaatenlösung Israel - Palästina. Vor diesem Hintergrund beschreibt die Arbeit die Besonderheiten des interreligiösen Dialogs seitens der evangelischen Christen deutscher Sprache in Jerusalem.
Author: Solomon Perel
Publisher: John Wiley & Sons
The Inspiration Behind The Golden Globe-Winning Film "An engrossing and memorable tale."-Jewish Book World "The sheer emotion of telling the tale is palpable. The whole is moving, and strange beyond belief." -"The Times" (London) International acclaim for Solomon Perel's "Europa Europa" The wrenching memoir of a young man who survived the Holocaust by concealing his Jewish identity and finding unexpected refuge as a member of the Hitler Youth. "It is a Holocaust memoir that is moving, straightforward, and quite completely bizarre, unsettling in all kinds of assumptions about identity, responsibility, and guilt." -"Glasgow Herald" "Perel bares his soul to readers in this fascinating, unusual personal narrative of the Holocaust." -Book Report "Many of the experiences of Holocaust survivors are incredible. None is more incredible than the story of a Jewish boy, Solomon Perel, who escaped from Germany to Russia, served with the Wehrmacht in Russia, was adopted by his commanding officer, and transferred to an elite Hitler Youth school." -"London Jewish News" "A most remarkable story . . . extraordinary." -"The Australian" "This book will move human hearts." -"Berliner Morgenpost"
Samir and Yonatan
Author: Daniella Carmi, Yael Lotan
Publisher: Scholastic Inc.
Samir, a Palestinian boy, is sent for surgery to an Israeli hospital where he has two otherworldly experiences, making friends with an Israeli boy, Yonatan, and traveling with him to Mars where Samir finds peace over his younger brother's death in the war
For the Palestinians who live in the narrow coastal strip of Gaza, the Israeli invasion of December 2008 was a nightmare of unimaginable proportions: In the 22-day-long action 1,400 Gazans were killed, several hundred on the first day alone. And yet, while nothing should diminish Palestinian suffering through those frightful days, it is possible something redemptive is emerging from the tragedy of Gaza. For, as Norman Finkelstein details, in a concise work that melds cold anger with cool analysis, the profound injustice of the Israeli assault was widely recognized by bodies that it is impossible to brand as partial or extremist. Amnesty International, Human Rights Watch, and the UN investigation headed by Richard Goldstone, in documenting Israel’s use of indiscriminate and intentional force against the civilian population during the invasion (100 Palestinians died for every one Israeli), have had an impact on longstanding support for Israel. Jews in both the Unites States and the United Kingdom, for instance, have begun to voice dissent, and this trend is especially apparent among the young. Such a shift, Finkelstein contends, can create new pressure capable of moving the Middle East crisis towards a solution, one that embraces justice for Palestinians and Israelis alike. This new paperback edition has been revised throughout and includes an extensive afterword on the Israeli attack on the Gaza Freedom Flotilla which resulted in the deaths of nine activists and further strained the loyalty of many of Israel’s traditional allies around the world. It also contains a brand new appendix in which Finkelstein dissects the official Israeli investigation of the flotilla attack.
What went wrong after Oslo? How can Israelis and Palestinians make peace? How has the violence changed their lives, and their souls? In Death as a Way of Life, David Grossman, one of Israel's great fiction writers, has addressed these questions in a series of passionate essays and articles, writing not only as one of his country's most respected novelists and commentators, but as a husband and father and peace activist bitterly disappointed in the leaders of both sides.
Lola always always always has to win! No matter what games she and Charlie play, Lola always triumphs. What will happen when Charlie devises a strategy for a game that surely he will win? When playtime is through, Charlie and Lola have learned that maybe having the upper hand isn’t as important as lending a hand when a brother or a sister could use a little help.
Presents 1,000 common Japanese words accompanied by drawings.
Author: Paul D. Miller
Publisher: MIT Press
If Rhythm Science was about the flow of things, Sound Unbound is about the remix -- how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. The topics are as diverse as the contributors: composer Steve Reich offers a memoir of his life with technology, from tape loops to video opera; Miller himself considers sampling and civilization; novelist Jonathan Lethem writes about appropriation and plagiarism; science fiction writer Bruce Sterling looks at dead media; Ron Eglash examines racial signifiers in electrical engineering; media activist Naeem Mohaiemen explores the influence of Islam on hip hop; rapper Chuck D contributes "Three Pieces"; musician Brian Eno explores the sound and history of bells; Hans Ulrich Obrist and Philippe Parreno interview composer-conductor Pierre Boulez; and much more. "Press 'play,'" Miller writes, "and this anthology says 'here goes.'" The groundbreaking music that accompanies the book features Nam Jun Paik, the Dada Movement, John Cage, Sonic Youth, and many other examples of avant-garde music. Most of this content comes from the archives of Sub Rosa, a legendary record label that has been the benchmark for archival sounds since the beginnings of electronic music. To receive these free music files, readers may send an email to the address listed in the book.ContributorsDavid Allenby, Pierre Boulez, Catherine Corman, Chuck D, Erik Davis, Scott De Lahunta, Manuel DeLanda, Cory Doctorow, Eveline Domnitch, Frances Dyson, Ron Eglash, Brian Eno, Dmitry Gelfand, Dick Hebdige, Lee Hirsch, Vijay Iyer, Ken Jordan, Douglas Kahn, Daphne Keller, Beryl Korot, Jaron Lanier, Joseph Lanza, Jonathan Lethem, Carlo McCormick, Paul D. Miller aka DJ Spooky that Subliminal Kid, Moby, Naeem Mohaiemen, Alondra Nelson, Keith and Mendi Obadike, Hans Ulrich Obrist, Pauline Oliveros, Philippe Parreno, Ibrahim Quaraishi, Steve Reich, Simon Reynolds, Scanner aka Robin Rimbaud, Nadine Robinson, Daniel Bernard Roumain (DBR), Alex Steinweiss, Bruce Sterling, Lucy Walker, Saul Williams, Jeff E. Winner.
Author: Anders Berg-Sørensen
As we enter the twenty-first century, the role of religion within civic society has become an issue of central concern across the world. The complex trends of secularism, multiculturalism and the rise of religiously motivated violence raise fundamental questions about the relationship between political institutions, civic culture and religious groups. Contesting Secularism represents a major intervention into this debate. Drawing together contributions from leading scholars from across the world it analyses how secularism functions as a political doctrine in different national contexts put under pressure by globalisation. In doing so it presents different models for the relationship between political institutions and religious groups, challenging the reader to be more aware of assumptions within their own cultural context, and raises alternative possibilities for the structure of democratic, multi-faith societies. Through its inter-disciplinary and comparative approach, Contesting Secularism sets a new agenda for thinking about the place of religion in the public sphere of twenty-first century societies. It is essential reading for policymakers, as well as for scholars and students in political science, law, sociology and religious studies.
Author: Laurence Bourguignon, Valérie D'Heur, Lisa Pritchard
A highly illustrated guide to Jerusalem in the award-winning DK Eyewitness Travel series
This book examines performative strategies that contest nationalist prejudices in representing the conditions of refugees, the stateless and the dispossessed. In the light of the European Union failing to find a political solution to the current migration crisis, it considers a variety of artistic works that have challenged the deficiencies in governmental and transnational practices, as well as innovative efforts by migrants and their hosts to imagine and build a new future. It discusses a diverse range of performative strategies, moving from a consideration of recent adaptations of Greek tragedy, to performances employing fictive identification, documentary dramas, immersive theatre, over-identification and subversive identification, nomadism and political activism. This study will appeal to those interested in questions of statelessness, migration, and the problematic role of the nation-state.
This comprehensive, authoritative account of tragedy is the culmination of Hans-Thies Lehmann’s groundbreaking contributions to theatre and performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and theories of tragedy, through its inextricable relationship with drama, to its impact upon post-dramatic forms, this is the definitive work in its field. Lehmann plots a course through the history of dramatic thought, taking in Aristotle, Plato, Seneca, Nietzsche, Heidegger, Lacan, Shakespeare, Schiller, Holderlin, Wagner, Maeterlinck, Yeats, Brecht, Kantor, Heiner Müller and Sarah Kane.