Verzeichnis Lieferbareer Bucher
Author: [Anonymus AC02436408], [Anonymus AC02465700], [Anonymus AC02465705], [Anonymus AC02465740], [Anonymus AC02465775], [Anonymus AC02465787], [Anonymus AC02465790]
Publisher: K G Saur Verlag Gmbh & Company
The eighth and final volume of The Cambridge Economic History of Europe is the third of a group of three that cover the economic history of the western world during and since the Industrial Revolution. The main theme of this volume is the role played in the growth of industrial economies by the development of economic and social policies. The volume also discusses these factors in detail for the principal economies, and includes detailed studies of France, Britain, Germany, the United States, Austria-Hungary, the countries of Eastern Europe, Russia, Sweden, and Japan.
Author: Markus Krajewski, Peter Krapp
Publisher: MIT Press
Today on almost every desk in every office sits a computer. Eighty years ago, desktops were equipped with a nonelectronic data processing machine: a card file. In Paper Machines, Markus Krajewski traces the evolution of this proto-computer of rearrangeable parts (file cards) that became ubiquitous in offices between the world wars. The story begins with Konrad Gessner, a sixteenth-century Swiss polymath who described a new method of processing data: to cut up a sheet of handwritten notes into slips of paper, with one fact or topic per slip, and arrange as desired. In the late eighteenth century, the card catalog became the librarian's answer to the threat of information overload. Then, at the turn of the twentieth century, business adopted the technology of the card catalog as a bookkeeping tool. Krajewski explores this conceptual development and casts the card file as a "universal paper machine" that accomplishes the basic operations of Turing's universal discrete machine: storing, processing, and transferring data. In telling his story, Krajewski takes the reader on a number of illuminating detours, telling us, for example, that the card catalog and the numbered street address emerged at the same time in the same city (Vienna), and that Harvard University's home-grown cataloging system grew out of a librarian's laziness; and that Melvil Dewey (originator of the Dewey Decimal System) helped bring about the technology transfer of card files to business.
An examination of British and German processes of cultural transfer, as spearheaded by feminist reformists, from 1714 to 1837
Goethe and Zelter spent a staggering 33 years corresponding or in the case of each artist, over two thirds of their lives. Zelter's position as director of the Sing-Akademie zu Berlin and Goethe's location in Weimar resulted in a wide-ranging correspondence. Goethe's letters offer a chronicle of his musical development, from the time of his journey to Italy to the final months of his life. Zelter's letters retrace his path as stonemason to Professor of Music in Berlin. The 891 letters that passed between these artists provide an important musical record of the music performed in public concerts in Berlin and in the private and semi-public soir? of the Weimar court. Their letters are those of men actively engaged in the musical developments of their time. The legacy contains a wide spectrum of letters, casual and thoughtfully composed, spontaneous and written for publication, rich with the details of Goethe's and Zelter's musical lives. Through Zelter, Goethe gained access to the professional music world he craved and became acquainted with the prodigious talent of Felix Mendelssohn. A single letter from Zelter might bear a letter from Felix Mendelssohn to another recipient of the same family, reflecting a certain community in the Mendelssohn household where letters were not considered private but shared with others in a circle of friends or family. Goethe recognized the value of such correspondence: he complains when his friend is slow to send letters in return for those written to him by the poet, a complaint common in this written culture where letters provided news, introductions, literary and musical works. This famous correspondence contains a medley of many issues in literature, art, and science; but the main focus of this translation is the music dialogues of these artists.
Author: Alice Cherki, Nadia Benabid
Publisher: Cornell University Press
"Fanon was consummately incapable of telling the story of himself. He lived in the immediacy of the moment, with an intensity that embodied everything he evoked. Fanon's discourse pertained to a present tense that was unburdened by its narrative past. The little we knew about his personal life had been gleaned from passing allusions, brief glimpses that vanished as quickly as they appeared. . . . Fanon had a profound talent for life; he was a man who wanted to be the subject and actor of his own life, and it was for this reason that he was so engaging and disarming—so alive."—from the IntroductionFrantz Fanon (1925–1961) was born in Martinique, and in 1943 left to fight in Europe with Free French forces. After 1945 he studied medicine and psychiatry in Lyons and began to write. His first analysis of the effects of racism and postcolonialism, Black Skin, White Masks, appeared in 1952 and would become a foundational text for the liberation movements of the 1960s and later for postcolonial studies. In 1952 he moved to Algeria and practiced at the Blida-Joinville psychiatric hospital in French Algeria until 1957. From that year he worked full time for the Algerian independence movement, including a brief appointment as the movement's ambassador in Ghana. One of Fanon's few surviving contemporaries, Alice Cherki worked closely with Fanon at the psychiatric hospital in Blida and then later for the Algerian cause in Tunisia. This book is a record of "an epoch, a life, and a body of work often viewed as inadmissible." Cherki offers a unique assessment of Fanon's complex personality, illuminating both his psychiatric practice—of which she says, "Fanon possessed a tremendous intuition about the unconscious and a great erudition in psychoanalytic theory"—and the sources of his political activism, of his intellectual career as a pivot of the quickly changing world. Given the continuing relevance of Fanon's insights into the enduring legacy of colonialism on the psyches of the colonized, this compelling and personal account of his life and work will be required reading for anyone interested in the consequences of empire.
In this major work, Blumenberg takes issue with Karl Löwith's well-known thesis thatthe idea of progress is a secularized version of Christian eschatology, which promises a dramaticintervention that will consummate the history of the world from outside. Instead, Blumenberg argues,the idea of progress always implies a process at work within history, operating through an internallogic that ultimately expresses human choices and is legitimized by human self-assertion, by man'sresponsibility for his own fate.Hans Blumenberg is professor of philosophy at the University ofMünster. The Legitimacy of the Modern Age is included in the series Studies in Contemporary GermanSocial Thought, edited by Thomas McCarthy.
Author: Richard E. Schade, Dieter Sevin
The essay reads an Enlightened and modern critique of progress in Mozart's Cosi fan tutte. With numerous references to other operas and texts, and with a storyline that emphasizes inevitable, yet mutable aspects of human nature, Cosi presents an ambivalent picture of the ways in which even the most disinterested and best-informed attitude toward the past can affect the future. At the same time, the opera seems to embrace the notion of freedom of choice without rejecting tradition or repetition. The essay also comments on the performance of Cosi in Zurich in 2000, conducted by Nikolaus Harnoncourt, who often works with authentic period instruments.
A tale of murder and literary ambition set on an American university campus from a master of the dark side of human nature It's been over a decade since Robert Pendleton published his brilliant short story debut, and his hopes for a dazzling literary career now lie in tatters. Hanging on to his tenure in literature at Bannockburn college by the slimmest of threads, Pendleton's simmering despair boils over with the arrival on campus of his one-time friend, now nemesis, the bestselling author and king of the coffee-table book, David Horowitz. For Pendleton, death seems to be the only remaining option, but his attempt to kill himself is wrecked by the intervention of Adi Wiltshire, a graduate student battling her own demons of failure and thwarted ambition. Whilst Pendleton recovers from his suicide attempt, Adi discovers a novel hidden in his basement: a brilliant, bitter story with a gruesome murder at its core. The publication of Scream causes a storm of publicity, a whirlwind into which Adi and Horowitz are thrust - along with the sister of a young girl whose real-life, unsolved murder bears an uncanny resemblance to the crime in Pendleton's novel and a burnt-out cop with secrets of his own, who is determined to prove that in this case fact and fiction are one and the same.
Author: Christoph Bode
This is an engaging introduction to the novel and narrative theory that will deepen readers' understanding and enhance their appreciation and enjoyment of this popular genre. Provides readers with the critical tools to become expert narratologists and more insightful readers Reflects on the rise of world literature, with examples drawn from Spanish, French, Italian, German, Scandinavian, and Russian novels for analysis or illustration, as well as works from English and American literature Featured topics include the handling of space and time in the novel, narrative situations, literary symbols, and gendering