Love Theft

Author: Eric Lott
Publisher: Oxford University Press
ISBN: 0199361630
Size: 15.78 MB
Format: PDF
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This new edition celebrates the twentieth anniversary of this landmark volume.

Love And Theft Blackface Minstrelsy And The American Working Class

Author: Department of English University of Virginia Eric Lott Associate Professor
Publisher: Oxford University Press, USA
ISBN: 9780199762248
Size: 21.40 MB
Format: PDF
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For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance.

The Arts And Culture Of The American Civil War

Author: James A. Davis
Publisher: Routledge
ISBN: 1315438232
Size: 41.84 MB
Format: PDF, Docs
View: 5814
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and Christopher J. Smith have produced rich works exploring the social and
cultural contexts of early blackface entertainment, William Mahar delivers a much
-needed update on the content of the minstrel show in the period between 1843
and 1861: Eric Lott, Love and Theft: Blackface Minstrelsy and the American
Working Class (New York: Oxford University Press, 1993); Dale Cockrell,
Demons of Disorder: Early Blackface Minstrels and Their World (New York:
Cambridge University ...

The Cultural Politics Of Slam Poetry

Author: Susan B. A. Somers-Willett
Publisher: University of Michigan Press
ISBN: 0472050591
Size: 31.75 MB
Format: PDF, Kindle
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Richard Stratton and Kim Wozencraft, 23–47. New York: Grove, 1998. Levin,
Marc, Bonz Malone, Sonja Sohn, Richard Stratton, and Saul Williams. “Slam
Screenplay.” In Slam: The Screenplay and Filmmakers' Journals, ed. Richard
Stratton and Kim Wozencraft, 171–266. New York: Grove, 1998. Lipton,
Lawrence. The Holy Barbarians. New York: Julian Messner, 1959. Lott, Eric. Love
and Theft: Blackface Minstrelsy and the American Working Class. Race and
American Culture Series.

Standards Of Value

Author: Michael Germana
Publisher: University of Iowa Press
ISBN: 1587298937
Size: 41.55 MB
Format: PDF
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Love and Theft: Blackface Minstrelsy and the American Working Class. Race and
American Culture. New York: Oxford UP, 1995. Lutz, Tom. Cosmopolitan Vistas:
American Regionalism and Literary Value. Ithaca: Cornell UP, 2004. MacDonnell
, Francis. “'The Emerald City Was the New Deal': E. Y. Harburg and The
Wonderful Wizard of Oz.” Journal of American Culture 13.4 (1990): 71–75. Mahar
, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and
Antebellum ...

Modern Moves

Author: Danielle Robinson
Publisher: OUP Us
ISBN: 0199779228
Size: 71.81 MB
Format: PDF, Mobi
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... Minstrel Stage (Durham, NC: Duke University Press, 1930); Dale Cockrell,
Demons of Disorder: Early Blackface Minstrels and their World (Cambridge, UK:
Cambridge University Press, 1997); Eric Lott, Love and Theft: Blackface
Minstrelsy and the American Working Class (New York: Oxford University Press,
1993); Ingrid Monson, “The Problem of White Hipness: Race, Gender, and
Cultural Conceptions in Jazz Historical Discourse,” Journal of the American
Musicological Society 48, ...

Black Culture And The New Deal

Author: Lauren Rebecca Sklaroff
Publisher: Univ of North Carolina Press
ISBN: 9780807899243
Size: 24.10 MB
Format: PDF, ePub
View: 103
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13. Ann Douglas, Terrible Honesty, 324; Hutchinson, Harlem Renaissance, 22.
14. I credit Grace Hale with this phrase. Hale, “Everyone Is a Negro: Racial
Rebellion from the Blues to the Folk Music Revival,” lecture given at the
University of South Carolina, 14 Sept. 2006. 15. Hale, Making Whiteness. Other
studies of racial stereotyping and the formation of white identity include Lott, Love
and Theft: Blackface Minstrelsy and the American Working Class (1993);
Roediger, The Wages of ...

Harlequin Empire

Author: David Worrall
Publisher: Routledge
ISBN: 1317315499
Size: 42.22 MB
Format: PDF
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were also common to America and problematize notions of the development of
minstrelsy.18 A watercolour drawing made by the American actor, dancer and
horseman, John Durang (1768–1822), clearly shows him in the traditional
lozenge ... The current dominant critical mode for discussing stage blackface is
within the context of North American minstrelsy, as laid out by Eric Lott's
influential Love and Theft: Blackface Minstrelsy and the American Working Class
(Oxford: Oxford ...

The Construction Of Whiteness

Author: Stephen Middleton
Publisher: Univ. Press of Mississippi
ISBN: 1496805569
Size: 19.24 MB
Format: PDF
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For other studies of black minstrelsy, see Eric Lott, Love and Theft: Blackface
Minstrelsy and the American Working Class (New York: Oxford University Press,
1993); David R. Roediger, The Wages of Whiteness: Race and the Making of the
American Working Class (New York: Verso, 1991). 91. Eric Lott, “Love and Theft:
The Racial Unconscious of Blackface Minstrelsy,” Representations 39 (Summer
1992): 44. See, Hartman, Scenes of Subjection, for an analysis of minstrelsy's
roots in ...

The Oxford Encyclopedia Of American Cultural And Intellectual History

Author: Joan Shelley Rubin
Publisher:
ISBN: 0199764352
Size: 70.48 MB
Format: PDF, Kindle
View: 3311
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black face had long signified a trickster figure in folk rituals of inversion, including
charivari shaming rites and many Anglo-American festivals. Thomas D. Rice,
George Washington Dixon, and other blackface performers popular in the 1830s
combined these musical and theatrical traditions with African American
costuming, dancing, and instrumental practices. After the formation of the first ...
Bibliography Lott, Eric. Love and Theft: Blackface Minstrelsy and the American
Working Class.