The Darkest Minds
Author: Alexandra Bracken
Publisher: Disney Electronic Content
Book one in the hit series that's soon to be a major motion picture starring Amandla Stenberg and Mandy Moore--now with a stunning new look and an exclusive bonus short story featuring Liam and his brother, Cole. When Ruby woke up on her tenth birthday, something about her had changed. Something alarming enough to make her parents lock her in the garage and call the police. Something that got her sent to Thurmond, a brutal government "rehabilitation camp." She might have survived the mysterious disease that killed most of America's children, but she and the others emerged with something far worse: frightening abilities they cannot control. Now sixteen, Ruby is one of the dangerous ones. But when the truth about Ruby's abilities--the truth she's hidden from everyone, even the camp authorities--comes out, Ruby barely escapes Thurmond with her life. On the run, she joins a group of kids who escaped their own camp: Zu, a young girl haunted by her past; Chubs, a standoffish brainiac; and Liam, their fearless leader, who is falling hard for Ruby. But no matter how much she aches for him, Ruby can't risk getting close. Not after what happened to her parents. While they journey to find the one safe haven left for kids like them--East River--they must evade their determined pursuers, including an organization that will stop at nothing to use Ruby in their fight against the government. But as they get closer to grasping the things they've dreamed of, Ruby will be faced with a terrible choice, one that may mean giving up her only chance at a life worth living.
In The Knight-Monks of Vichy France John Hellman describes the founding, operation, transformation, and demise of the school, details the institution's ideological and political struggles with other segments of French society, and deals with the remarkable rise of Uriage ideas and alumni in postwar France. By focusing on the social, philosophical, and psychological concepts propounded by the staff of the school, Hellman has produced the first study that shows the École Nationale des Cadres d'Uriage to have been an original educational and group experience which inspired French youth from very different backgrounds to abandon the liberal democratic tradition for a new political and social vision. Drawing on a variety of sources, including interviews, newly available archival material, Vichy publications, correspondence, and diary entries, Hellman contributes to the current, lively debate concerning the phenomenon of collaboration and the response of the French population to fascism and to the occupation during the Second World War. This book will be of particular interest to readers concerned with the intellectual and political life of modern France, modern religious thought and experience, fascism and the Vichy regime, changes in France in the prewar and postwar periods, and the "third way" political option in contemporary Europe.
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Author: Michel Foucault, Jacques Lagrange, Graham Burchell
A historical investigation into the practice of psychiatric medicine in the western world chronicles its evolution, offering insight into how diagnoses and treatments changed throughout time and how modern social and political attitudes toward mental illness have developed, in a collection of philosophical lectures. Reprint. 15,000 first printing.
Postwar recovery required a transformation of France, but what form it should take remained a question. Herrick Chapman charts the course of France’s reconstruction from 1944 to 1962, offering insights into the ways the expansion of state power produced fierce controversies at home and unintended consequences abroad in France’s crumbling empire.
The shock of history: we live it, neither knowing or comprehending it. France, Europe, and the world have entered into a new era of thought, attitudes, and powers. This shock of history makes clear the fact that there is no such thing as an insurmountable destiny. The time will come for Europe to awaken, to respond to the challenges of immigration, toxic ideologies, the perils of globalism, and the confusion that assails her. But under what conditions? That is the question to which this book responds. Conceived in the form of a lively and dynamic interview with a historian who, after taking part in history himself, never ceased to study and reflect upon it. In this text, the first of his major works to appear in English, Dominique Venner recounts the great movements of European history, the origin of its thought, and its tragedies. He proposes new paths and offers powerful examples to ward off decadence, and to understand the history in which we are immersed and in which we lead our lives.
Film Composers Directory
Author: Lone Eagle Publishing Co
Publisher: Lone Eagle Publishing Company, LLC
This directory provides an easy-to-use, accurate and up-to-date reference to film composers. Although designed mainly to be used by film production companies looking to hire composers, Film Composers has also found a strong audience among lovers of film music as well as researchers. Features include: Alphabetical listing of composers by name with a chronological listing of their credits showing releasing company and date of release; Contact information, when available, as well as any union, guild and/or society information; Cross-referenced index of film titles in alphabetical order followed by the name of the composer; Academy and Emmy Award winners and nominees among the composers listed in the book; A section on 'Notable Composers of the Past', showing the careers of selected composers since the beginnings of sound.
Emmanuel Macron’s victory in the 2017 presidential elections represents one of the most important disruptions to French political life since the establishment of the Fifth Republic. This book analyses the political opportunities enabling a neophyte to conquer the Elysée, and the conditions leading to the unprecedented presidential runoff between this centrist EU enthusiast and pro-globalization candidate and the nationalistic/populist alternative embodied by Marine Le Pen. The book begins by considering trends in party competition and presidentialism in modern France, notably presidential primaries and their impact on party competition. It then moves to considering the role traditional explanatory factors in elections, namely policies and voter profiles, played in the result. Finally, it examines the dynamics of President Macron’s success in the legislatives, and how he dominated the traditional party blocs. This book will appeal to students of French politics as well as those interested in electoral behaviour and European political systems.
Includes entries for maps and atlases.
Author: Tom Genrich
Publisher: Peter Lang
This comparative study examines the prose writings of the best-known cosmopolitan authors of the Third French Republic: the modernists Jean Giraudoux, Valery Larbaud and Paul Morand, and the best-selling popular writer Maurice Dekobra. It investigates what constituted the 'cosmopolitanism' that they publicly proclaimed between the World Wars, a classification which has been widely accepted by commentators ever since. In particular, it considers whether conventional definitions of cosmopolitanism - as an unproblematic attitude of xenophilia coupled with wanderlust, or as an ecumenical humanism - can co-exist with the blind spots and prejudices of its practitioners. This book offers a comprehensive reinterpretation of the writers' identity politics based on their approach to Otherness (gender, race, nationality, political affiliation) as well as to formal innovation. It argues that cosmopolitanism is the organizing principle for their literary and existential attempts at cultivating authentic Selfhood. Through its socio-political embeddedness, this cosmopolitanism reveals the ideological and cultural preoccupations of the day.
Painting, Politics and the Struggle for the ?ole de Paris, 1944-1964 is the first book dedicated to the postwar or 'nouvelle' ?ole de Paris. It challenges the customary relegation of the ?ole de Paris to the footnotes, not by arguing for some hitherto 'hidden' merit for the art and ideas associated with this school, but by establishing how and why the ?ole de Paris was a highly significant vehicle for artistic and political debate. The book presents a sustained historical study of how this 'school' was constituted by the paintings of a diverse group of artists, by the combative field of art criticism, and by the curatorial policies of galleries and state exhibitions. By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, the book traces the artists, exhibitions, and art critical debates that made the ?ole de Paris a zone of aesthetic and political conflict. Through setting the ?ole de Paris into its artistic, social, and political context, Natalie Adamson demonstrates how it functioned as the defining force in French postwar art in its defence of the tradition of easel painting, as well as an international point of reference for the expansion of modernism. In doing so, she presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in France during the two decades following World War II.
The Little Prince
Author: Antoine De Saint-Exupéry
Publisher: Spark Publishing Group
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