Herzog Max in Bayern
Author: Alfons Schweiggert
Author: Lisa Gardner
BONUS: This edition includes a new afterword: Lights, Camera, Hide the movie! You have good reason to be afraid. . . . It was a case that haunts Bobby Dodge to this day—the case that nearly killed him and changed his life forever. Now, in an underground chamber on the grounds of an abandoned Massachusetts mental hospital, the gruesome discovery of six mummified corpses resurrects his worst nightmare: the return of a killer he thought dead and buried. There’s no place to run. . . . Bobby’s only lead is wrapped around a dead woman’s neck. Annabelle Granger has been in hiding for as long as she can remember. Her childhood was a blur of new cities and assumed identities. But what—or who—her family was running from, she never knew. Now a body is unearthed from a grave, wearing a necklace bearing Annabelle’s name, and the danger is too close to escape. This time, she’s not going to run. You know he will find you. . . . The new threat could be the dead psychopath’s copycat, his protégé—or something far more terrifying. Dodge knows the only way to find him is to solve the mystery of Annabelle Granger, and to do that he must team up with his former lover, partner, and friend D. D. Warren from the Boston P.D. But the trail leads back to a woman from Bobby’s past who may be every bit as dangerous as the new killer—a beautiful survivor-turned-avenger with an eerie link to Annabelle. From its tense opening pages to its shocking climax, Hide is a thriller that delves into our deepest, darkest fears. Where there is no one to trust. Where there is no place left to hide.
Author: Thomas Elsaesser
Publisher: Amsterdam University Press
Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.
Author: Frederick Forsyth
A NEW YORK TIMES BESTSELLER • From the master of the novel of international intrigue comes a riveting new book as timely and unsettling as tomorrow's headlines. It is summer 1999 in Russia, a country on the threshold of anarchy. An interim president sits powerless in Moscow as his nation is wracked by famine and inflation, crime and corruption, and seething hordes of the unemployed roam the streets. For the West, Russia is a basket case. But for Igor Komarov, one-time army sergeant who has risen to leadership of the right-wing UPF party, the chaos is made to order. As he waits in the wings for the presidential election of January 2000, his striking voice rings out over the airwaves offering the roiling masses hope at last—not only for law, order, and prosperity, but for restoring the lost greatness of their land. Who is this man with the golden tongue who is so quickly becoming the promise of a Russia reborn? A document stolen from party headquarters and smuggled to Washington and London sends nightmare chills through those who remember the past, for this Black Manifesto is pure Mein Kampf in a country with frightening parallels to the Germany of the Weimar Republic. Officially the West can do nothing, but in secret a group of elder statesmen sends the only person who can expose the truth about Komarov into the heart of the inferno. Jason Monk, ex-CIA and "the best damn agent-runner we ever had," had sworn he would never return to Moscow, but one name changes his mind. Colonel Anatoli Grishin, the KGB officer who tortured and murdered four of Monk's agents after they had been betrayed by Aldrich Ames, is now Komarov's head of security. Monk has a dual mission: to stop Komarov, whatever it takes, and to prepare the way for an icon worthy of the Russian people. But he has a personal mission as well: to settle the final score with Grishin. To do this he must stay alive--and the forces allied against him are ruthless, the time frighteningly short. . . . Praise for Icon “Vintage Forsyth, intricate, exact and gripping.”—The New York Times Book Review “Another strong performance by a writer who knows exactly what he's about, and who here catalyzes narrative with another memorable protagonist, the stealthy and daring Monk.”—Publishers Weekly (starred review) “One of his best works for a long time, which provides an all-too-real look at a chilling new millennium.”—The Sunday Times, London
The Reluctant Empress
Author: Brigitte Hamann
Publisher: Faber & Faber
Empress Elisabeth of Austria, known to her family as 'Sisi', belongs to a famous love story of European royalty. In 1853 the Emperor Franz Josef, the most eligible bachelor in Europe, fell in love with her at first sight when she was 15. They were married the next year. On the surface, it was a fairy-tale marriage, all the more poignant, with hindsight, because her tragic death augured the twilight years of the Habsburg Empire. First published in 1988, Brigitte Hamann's definitive biography tells Elisabeth's story from her birth into Bavarian nobility to her assassination at the hands of an Italian anarchist. In her lifetime she was idolised solely for her grace and beauty; but Hamann shows us a stronger character, bitter at her marriage, seeking independence, and struggling against the powerful influence of her mother-in-law, the Archduchess Sophie.
Die Antike ist aus der Populärkultur der Gegenwart nicht wegzudenken. Ihre Mythen, Motive und Figuren werden in den diversen Zweigen der Unterhaltungsindustrie verändert, neu erzählt und neu interpretiert. Noch gibt es keine kohärente Methodologie, um die Antike-Rezeption in der populären Literatur und Kultur ganzheitlich zu erfassen. Die Beiträge in diesem Buch – zu Literatur, Film, Musik, Architektur, Gegenwartsmedien sowie zur Beziehung zwischen Religion und Popkultur – repräsentieren in der Mannigfaltigkeit und Komplexität ihrer Themen und Probleme die Stärke der Antike-Rezeption. Der Band dokumentiert zudem einige wesentliche Modifikationen auf der Beziehungsachse ‚populäre Kultur – Antike‘. Dabei wird deutlich, wie verschiedenartige Kulturprozesse die Antike verändern und auf welche Weise ihr neue, bisher unbekannte Perspektiven eröffnet werden.
Theodor W. Adorno
Author: Detlev Claussen
Publisher: Harvard University Press
Get #HookedonHeck with the first book in the #1 bestselling DS Mark Heckenburg series.
The Lonely Men
Author: Louis L'Amour
In The Lonely Men, Louis L’Amour spins the tale of a man who must elude an Apache trap—only to discover that his greatest enemy might be very close to home. Tell Sackett had fought his share of Indians and managed to take something of value from his battles: a deep and abiding respect. But that respect is lost when Apache braves kidnap his nephew, forcing Tell to cross the border into the Sierra Madres to bring the boy back. What troubles Tell more, though, is the boy’s mother: Could she possibly be inventing a rescue mission to deliver her husband’s brother into an ambush? Tell knows that the only things he can depend on are his wits and cold steel. But against such adversaries, even these formidable weapons may not be enough. From the Paperback edition.
The first complete survey of the Munich state carriages. In Vol. 1 (plates) the carriages are succinctly and clearly presented in both sumptuous full views and detail photos. It is a fantastic overview from Baroque carriages to the early automobiles.
Author: Mark Jones
Publisher: Cambridge University Press
The first study to reveal the key relationship between violence and fears of violence during the German Revolution of 1918-1919.
The fourteen chapters in this anthology feature original analyses of contemporary German-language literary texts, films, political cartoons, cabaret, and other types of performance. The artworks display a wide spectrum of humor modes, such as irony, satire, the grotesque, Jewish humor, and slapstick, as responses to unification with the accompanying euphoria, but also alienation and dislocation. Kerstin Hensel’s Lärchenau, Christoph Hein’s Landnahme, and vignette collections by Jakob Hein (Antrag auf ständige Ausreise und andere Mythen der DDR) and Wladimir Kaminer (Es gab keinen Sex im Sozialismus) are interpreted as examples of the grotesque. The popular films Lola rennt, Sonnenallee, Herr Lehmann, NVA, Alles auf Zucker!, and Mein Führer—Die wirklich wahrste Wahrheit über Adolf Hitler are reexamined through the lens of traditional and more recent humor or comic book theories. The contributors focus on how each artwork enriches four prominent postwall German cultural trends: post-unification identity reconstruction, Vergangenheitsbewältigung (including Hitler humor), New German Popular Literature (Christian Kracht’s ironic subtexts), and immigrant perspectives (a “third voice” in the East-West binary reflected here pointedly in Eulenspiegel cartoons). To date, no other scholarly work provides as comprehensive an overview of the diverse strategies of humor used in the past two decades in German-speaking countries.
Author: Wolfram Eschenbach
Publisher: Penguin UK
Composed in the early thirteenth century, Wolfram von Eschenbach's Parzival is the re-creation and completion of the story left unfinished by its initiator Chrétien de Troyes. It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.