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Mr Skeffington

Mr Skeffington

Author: Elizabeth von Arnim
Publisher: Virago
ISBN: 0349005192
Pages: 240
Year: 2014-03-06
Beauty; beauty. What was the good of beauty, once it was over? It left nothing behind it but acid regrets, and no heart at all to start fresh.' Approaching the watershed of her fiftieth birthday, Fanny, having long ago divorced Mr Skeffington and dismissed him from her thoughts for many years, is surprised to find herself thinking of him often. While attempting to understand this invasion, she meets, through a series of coincidences and deliberate actions, all those other men whose hearts she broke. But their lives have irrevocably changed and Fanny is no longer the exquisite beauty with whom they were all once enchanted. If she is to survive, Fanny discovers, she must confront a greatly altered perception of her self. With the delicate piquancy for which she is renowned, Elizabeth von Arnim here reveals the complexities involved in the process of ageing and in re-evaluating self-worth.
Mr. Skeffington

Mr. Skeffington

Author: Elizabeth von Arnim
Publisher: Charles River Editors via PublishDrive
ISBN: 1508026726
Pages: 385
Year: 2018-03-22
Chios Classics brings literature's greatest works back to life for new generations. All our books contain a linked table of contents. Elizabeth von Arnim was a popular British writer in the early 20th century.One of Arnim's best known novels is Mr. Skeffington.The book was made into a film that starred Bette Davis and was nominated for an Academy Award.
Mr Skeffington

Mr Skeffington

Author: Elisabeth Von Arnim
Publisher:
ISBN: 8892536036
Pages:
Year: 2016-01-02
Australian-born novelist, born Mary Annette Beauchamp. By marriage she became Gräfin (Countess) von Arnim-Schlagenthin, and by a second marriage, Countess Russell. Although known in her early life as Mary, after the publication of her first book, she was known to her readers, eventually to her friends, and finally even to her family as Elizabeth, and she is now invariably referred to as Elizabeth von Arnim. She also wrote under the pen name Alice Cholmondeley. Arnim would later refer to her domineering first husband as the "Man of Wrath" and writing became her refuge from what turned out to be an incompatible marriage. Arnim's husband had increasing debts and was eventually sent to prison for fraud. This was when she created her pen name "Elizabeth" and launched her career as a writer by publishing her semi-autobiographical, brooding, yet satirical Elizabeth and her German Garden (1898). Detailing her struggles both to create a garden on the estate and her attempts to integrate into German high-class Junker society, it was such a success that it was reprinted twenty times in its first year. A bitter-sweet memoir and companion to it was The Solitary Summer (1899). Other works, such as the The Benefactress (1902), Vera (1921), and Love (1925), were also semi-autobiographical. Other titles dealing with feminist protest and witty observations of life in provincial Germany were to follow, including The Princess Priscilla's Fortnight (1905) and Fraulein Schmidt and Mr Anstruther (1907). Although she never wrote a traditional autobiography, All the Dogs of My Life, her 1936 account of her love for her pets, contains many glimpses of the glittering social circle of which she was part.
Mr. Skeffington

Mr. Skeffington

Author: Elizabeth
Publisher:
ISBN: 0859971953
Pages: 452
Year: 1976

Mr. Skeffington

Mr. Skeffington

Author: author of "Elizabeth and her German garden" (the, is Elizabeth von Arnim.)
Publisher:
ISBN:
Pages: 233
Year: 1946

Mr. Skeffington (1944)

Mr. Skeffington (1944)

Author:
Publisher:
ISBN:
Pages:
Year: 2009

A Woman’s View

A Woman’s View

Author: Jeanine Basinger
Publisher: Wesleyan University Press
ISBN: 0819562912
Pages: 528
Year: 1995-06-23
In this highly readable and entertaining book, Jeanine Basinger shows how the "woman's film" of the 30s, 40s, and 50s sent a potent mixed message to millions of female moviegoers. At the same time that such films exhorted women to stick to their "proper" realm of men, marriage, and motherhood, they portrayed -- usually with relish -- strong women playing out liberating fantasies of power, romance, sexuality, luxury, even wickedness. Never mind that the celluloid personas of Bette Davis, Myrna Loy, Katharine Hepburn, Joan Crawford, or Rita Hayworth see their folly and return to their man or lament his loss in the last five minutes of the picture; for the first eighty-five minutes the audience watched as these characters "wore great clothes, sat on great furniture, loved bad men, had lots of sex, told the world off for restricting them, even gave their children away." Basinger examines dozens of films -- whether melodrama, screwball comedy, musical, film noir, western, or biopic -- to make a persuasive case that the woman's film was a rich, complicated, and subversive genre that recognized and addressed, if covertly, the problems of women.
Go Forward With Faith

Go Forward With Faith

Author: Sheri L. Dew
Publisher: Shadow Mountain
ISBN: 1573457892
Pages: 652
Year: 2001-09-01

Elizabeth von Arnim

Elizabeth von Arnim

Author: Isobel Maddison
Publisher: Routledge
ISBN: 1317145062
Pages: 304
Year: 2016-04-29
In the first book-length treatment of Elizabeth von Arnim's fiction, Isobel Maddison examines her work in its historical and intellectual contexts, demonstrating that von Arnim's fine comic writing and complex and compelling narrative style reward close analysis. Organised chronologically and thematically, Maddison's book is informed by unpublished material from the British and Huntington Libraries, including correspondence between von Arnim, her publishers and prominent contemporaries such as H.G. Wells, Bertrand Russell and her cousin Katherine Mansfield -- whose early modernist prose is seen as indebted to von Arnim's earlier literary influence. Maddison's exploration of the novelist's critical reception is situated within recent discussions of the ’middlebrow’ and establishes von Arnim as a serious author among her intellectual milieu, countering the misinformed belief that the author of such novels as Elizabeth and Her German Garden, The Caravaners, The Pastor's Wife and Vera wrote light-hearted fiction removed from gritty reality. On the contrary, various strands of socialist thought and von Arnim's wider political beliefs establish her as a significant author of British anti-invasion literature while weighty social issues underpin much of her later writing.
Elizabeth and Her German Garden

Elizabeth and Her German Garden

Author: Elizabeth Arnim, Elizabeth Von Arnim
Publisher: Cosimo, Inc.
ISBN: 1596056770
Pages: 232
Year: 2005-12-01
May 16th.-The garden is the place I go to for refuge and shelter, not the house. In the house are duties and annoyances, servants to exhort and admonish, furniture, and meals; but out there blessings crowd round me at every step-it is there that I am sorry for the unkindness in me, for those selfish thoughts that are so much worse than they feel; it is there that all my sins and silliness are forgiven, there that I feel protected and at home, and every flower and weed is a friend and every tree a lover. -from Elizabeth and Her German Garden First published anonymously in 1898, this beautiful chronicle of languid days spent in a rejuvenating Italian garden was a tremendous bestseller at the turn of the century, its cheerful satire and fresh charm endearing it to millions of readers. The first work of its author, the Countess Elizabeth von Arnim, it would form the basis of her extraordinary popularity as one of the most admired literary figures in Europe and "one of the three finest wits of her day." British novelist ELIZABETH VON ARNIM (1866-1941) wrote numerous books, including The Solitary Summer (the sequel to Elizabeth and Her German Garden) and the work she is best known for, Enchanted April.
The Solitary Summer

The Solitary Summer

Author: Elizabeth von Arnim
Publisher: Elizabeth von Arnim
ISBN: 889254277X
Pages:
Year: 2016-01-14
Australian-born novelist, born Mary Annette Beauchamp. By marriage she became Gräfin (Countess) von Arnim-Schlagenthin, and by a second marriage, Countess Russell. Although known in her early life as Mary, after the publication of her first book, she was known to her readers, eventually to her friends, and finally even to her family as Elizabeth, and she is now invariably referred to as Elizabeth von Arnim. She also wrote under the pen name Alice Cholmondeley. Arnim would later refer to her domineering first husband as the "Man of Wrath" and writing became her refuge from what turned out to be an incompatible marriage. Arnim's husband had increasing debts and was eventually sent to prison for fraud. This was when she created her pen name "Elizabeth" and launched her career as a writer by publishing her semi-autobiographical, brooding, yet satirical Elizabeth and her German Garden (1898). Detailing her struggles both to create a garden on the estate and her attempts to integrate into German high-class Junker society, it was such a success that it was reprinted twenty times in its first year. A bitter-sweet memoir and companion to it was The Solitary Summer (1899). Other works, such as the The Benefactress (1902), Vera (1921), and Love (1925), were also semi-autobiographical. Other titles dealing with feminist protest and witty observations of life in provincial Germany were to follow, including The Princess Priscilla's Fortnight (1905) and Fraulein Schmidt and Mr Anstruther (1907). Although she never wrote a traditional autobiography, All the Dogs of My Life, her 1936 account of her love for her pets, contains many glimpses of the glittering social circle of which she was part.

Femininity and Authorship in the Novels of Elizabeth von Arnim

Femininity and Authorship in the Novels of Elizabeth von Arnim

Author: Juliane Römhild
Publisher: Rowman & Littlefield
ISBN: 1611477042
Pages: 188
Year: 2014-06-25
Femininity and Authorship in the Novels of Elizabeth von Arnim is a comprehensive study of Elizabeth von Arnim, a much-loved middlebrow satirist who is currently being rediscovered by scholars. This study offers not only new insights on one of the bestselling English comical writers of the interwar years, but also engages with middlebrow and modernist literature, von Arnim’s relationships with writers like Katherine Mansfield and Virginia Woolf, New Woman fiction, experimental life writing, and gender theory. /span
Fräulein Schmidt and Mr. Anstruther

Fräulein Schmidt and Mr. Anstruther

Author: Elizabeth von Arnim
Publisher: Elizabeth von Arnim
ISBN: 8892538020
Pages:
Year: 2016-01-07
Elizabeth von Arnim (31 August 1866 – 9 February 1941), born Mary Annette Beauchamp, was an Australian-born British novelist. By marriage she became Gräfin (Countess) von Arnim-Schlagenthin, and by a second marriage, Countess Russell. Although known in her early life as Mary, after the publication of her first book, she was known to her readers, eventually to her friends, and finally even to her family as Elizabeth and she is now invariably referred to as Elizabeth von Arnim. She also wrote under the pen name Alice Cholmondeley (font: Wikipedia)
Studio Affairs

Studio Affairs

Author: Vincent Sherman
Publisher: University Press of Kentucky
ISBN: 0813171008
Pages: 328
Year: 1996-01-01
As a young Jewish boy growing up in Vienna, Georgia, Abe Orovitz could never have predicted the twists and turns his life would take. Many years later, as a retired film director with more than thirty movies to his credit, Vincent Sherman is no less surprised when he looks back on that life. In Studio Affairs he retraces his steps with candor and enthusiasm. Sherman relates the events of his days directly and honestly. He candidly discusses the details of his three-year relationship with Joan Crawford, his inadvertent connection with the death of Bette Davis's second husband, and his poignant romantic involvement with Rita Hayworth. Providing counterpoint to these liaisons is the love and devotion of Sherman's wife, Hedda, who accepted her husband's occasional infidelities as part and parcel of his career. The heart of Studio Affairs provides an inside look at the motion picture industry during the heyday of the studio system by one who worked his way from nearly starving actor and playwright to respected director. Drawing examples from his long career, Sherman discusses how he reworked flawed scripts, elicited strong performances from sometimes limited actors, placated his superiors and big-name talent, and won the support of his crews. Like so many talented individuals in Hollywood during the 1950s, Sherman was targeted by the House Un-American Activities Committee, owing in part to his active support of the WPA Theatre project in New York two decades previous. Time spent on the lesser-known gray list kept him out of work for several years. Eventually, he again enjoyed some critical success, but after the demise of the studio system life was never quite the same. This quintessential"studio director" ended his career directing for television.