SHELVED: 1st FLOOR REFERENCE--COUNTER HIGH SHELVING WEST SIDE.
Author: Gustave Flaubert
Publisher: Bantam Classics
A powerful nineteenth-century French classic depicting the moral degeneration of a weak-willed woman
Author: Kendall Ryan
Publisher: Simon and Schuster
After landing a job as an assistant and a New York City modeling agency, small-town Southerner, Emmy, resists the advances of Ben, an agency model who finds her reluctance refreshing and intriguing.
Villiers De L'isle Adam was one of the greatest symbolist writers of the 19th century. His works, in the Romantic style, are often fantastic in plot and filled with mystery and horror. Originally published in 1886, 'The Future Eve' is a stunning work, noted for popularizing the term 'android'. Many of the horror stories of monsters and ghouls, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Katy Evans
Publisher: Simon and Schuster
Melanie, having finally met the love of her life, finds herself falling for her boyfriend's reclusive, younger brother and attempts to bring some joy into his life in this sequel to Real. Original.
FROM Neufch‰teau to Vaucouleurs the clear waters of the Meuse flow freely between banks covered with rows of poplar trees and low bushes of alder and willow. Now they wind in sudden bends, now in gradual curves, for ever breaking up into narrow streams, and then the threads of greenish waters gather together again, or here and there are suddenly lost to sight underground. In the summer the river is a lazy stream, barely bending in its course the reeds which grow upon its shallow bed; and from the bank one may watch its lapping waters kept back by clumps of rushes scarcely covering a little sand and moss. But in the season of heavy rains, swollen by sudden torrents, deeper and more rapid, as it rushes along, it leaves behind it on the banks a kind of dew, which rises in pools of clear water on a level with the grass of the valley. This valley, two or three miles broad, stretches unbroken between low hills, softly undulating, crowned with oaks, maples, and birches. Although strewn with wild-flowers in the spring, it looks severe, grave, and sometimes even sad. The green grass imparts to it a monotony like that of stagnant water. Even on fine days one is conscious of a hard, cold climate. The sky seems more genial than the earth. It beams upon it with a tearful smile; it constitutes all the movement, the grace, the exquisite charm of this delicate tranquil landscape. Then when winter comes the sky merges with the earth in a kind of chaos. Fogs come down thick and clinging. The white light mists, which in summer veil the bottom of the valley, give place to thick clouds and dark moving mountains, but slowly scattered by a red, cold sun. Wanderers ranging the uplands in the early morning might dream with the mystics in their ecstasy that they are walking on clouds. Thus, after having passed on the left the wooded plateau, from the height of which the ch‰teau of BourlŽmont dominates the valley of the Saonelle, and on the right Coussey with its old church, the winding river flows between le Bois Chesnu on the west and the hill of Julien on the east. Then on it goes, passing the adjacent villages of Domremy and Greux on the west bank and separating Greux from Maxey-sur-Meuse. Among other hamlets nestling in the hollows of the hills or rising on the high ground, it passes Burey-la-C™te, Maxey-sur-Vaise, and Burey-en-Vaux, and flows on to water the beautiful meadows of Vaucouleurs. In this little village of Domremy, situated at least seven and a half miles further down the river than Neufch‰teau and twelve and a half above Vaucouleurs, there was born, about the year 1410 or 1412, a girl who was destined to live a remarkable life. She was born poor. Her father, Jacques or Jacquot d'Arc, a native of the village of Ceffonds in Champagne, was a small farmer and himself drove his horses at the plough. His neighbours, men and women alike, held him to be a good Christian and an industrious workman. His wife came from Vouthon, a village nearly four miles northwest of Domremy, beyond the woods of Greux. Her name being Isabelle or Zabillet, she received at some time, exactly when is uncertain, the surname of RomŽe. That name was given to those who had been to Rome or on some other important pilgrimage; and it is possible that Isabelle may have acquired her name of RomŽe by assuming the pilgrim's shell and staff. One of her brothers was a parish priest, another a tiler; she had a nephew who was a carpenter. She had already borne her husband three children: Jacques or Jacquemin, Catherine, and Jean.
Author: Maurice Sceve
Publisher: Cambridge University Press
Maurice Scève (c.1500-c.1564) was a French poet and a key French Renaissance literary figure. Originally published in 1966, this edition of Scève's 1544 poetic cycle Délie, objet de plus haulte vertu was prepared specifically for English-speaking students. The poems are presented in French, with an extensive introduction and detailed textual notes in English. Textual analysis focuses more on 'the mechanism of the individual poem, so that sources and contemporary habits of rhetoric are considered in the first place as elements of the poetic effect'. This book will be of value to anyone with an interest in French poetry and Renaissance literature.
Random Acts of Crazy
Author: Julia Kent
Publisher: EverAfter Romance
From author Julia Kent comes the New York Times and USA Today bestseller about a woman who never intended to pick up a naked hitchhiker wearing nothing but a guitar.
Angéline de Montbrun
Author: Laure Conan
Publisher: University of Toronto Press
Laure Conan was the first woman novelist in French Canada and the first writer in all Canada to attempt a roman d'analyse. As she refused to have her true identity revealed, the author of the preface to her book, Abbé H.-R. Casgrain, made a point of confirming that it was indeed a woman hiding behind the pen-name. Her daring in writing a psychological novel was 'forgiven' because she was a woman, and her anticipating the trend towards this type of novel was attributed to 'that intuition natural to her sex.' In Angéline de Montbrun, Laure Conan broke with what has been called the 'collective romanticism' of nineteenth-century French-Canadian land, with the rural myth, the exhortative tone, and the vast canvas. These concerns are basically absent in her work. Further, she eschewed the details of adventure and intrigue, the wooden, predictable characters, and the transparent intricacies of romantic love in favour of writing about the inner turmoil of an individual, live character, a young woman caught in a complex web of human appetites, aspirations, and relationships. Because of the novel's realism, one of the most persistent topics of discussion about Laure Conan has been whether or not Angéline de Montbrun is autobiographical. Recent studies indicate it may be. In any case, Angéline was the most complex character in Canadian fiction to 1882 and for some time to come. Traditionally, Angéline de Montbrun was regarded as a novel of Christian renunciation, and Angéline as the most holy of heroines. For a long time no one went too deeply into the relationships between the characters, but in 1961 Jean Le Moyne bluntly stated that 'the lovers in the novel are not Maurice Darville and Angéline, but M. de Montbrun and his daughter.' Since then there has been a proliferation of interpretations and psychological studies of the novel, and there is no going back to the simpler view of it.
Author: Théophile Gautier