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The Routledge Dictionary of Turkish Cinema

The Routledge Dictionary of Turkish Cinema

Author: Gönül Dönmez-Colin
Publisher: Routledge
ISBN: 1317937260
Pages: 378
Year: 2013-12-04
The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day. Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey.
Social Trauma and Telecinematic Memory

Social Trauma and Telecinematic Memory

Author: Pelin Başcı
Publisher: Springer
ISBN: 3319597221
Pages: 340
Year: 2017-10-24
This book explores responses to authoritarianism in Turkish society through popular culture by examining feature films and television serials produced between 1980 and 2010 about the 1980 coup. Envisioned as an interdisciplinary study in cultural studies rather than a disciplinary work on cinema, the book advocates for an understanding of popular culture in discerning emerging narratives of nationhood. Through feature films and television serials directly dealing with the coup of 1980, the book exposes tropes and discursive continuities such as “childhood” and “the child”. It argues that these conventional tropes enable popular debates on the modern nation’s history and its myths of identity.
Turkish Cinema

Turkish Cinema

Author: Gönül Dönmez-Colin
Publisher: Reaktion Books
ISBN: 1861895836
Pages: 224
Year: 2008-11-15
Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike.
New Cinema, New Media

New Cinema, New Media

Author: Murat Akser, Deniz Bayrakdar
Publisher: Cambridge Scholars Publishing
ISBN: 1443859664
Pages: 310
Year: 2014-04-23
This volume covers approaches concerning the relationship between innovation in cinema and the politics of filmmaking in new cinema practices in Turkey. The contributors focus on historiography, genres, mainstream and art cinema production, and transnational cinema, as well as changing narratives and identities. The new cinema movement in Turkey is here analysed from perspectives of new technologies, new production and distribution structures, the impact of film training, the televisual industry, new actors in commercial and art cinema, as well as the impact of the film festival circuit. Additionally, recurring themes of memory, trauma, and identity are dealt with from multidisciplinary angles. The volume covers in depth analyses of the internationally renowned filmmakers Nuri Bilge Ceylan, Fatih Akın, Semih Kaplanoğlu, Reha Erdem, Zeki Demirkubuz, Yeşim Ustaoğlu and Derviş Zaim. A timely study on the centenary of Turkish cinema in 2014, students of Middle Eastern Studies, Film Studies, Cultural Studies, Urban Studies, Gender Studies, and Identity Studies will find this volume extremely relevant to their work.
Popular Iranian Cinema Before the Revolution

Popular Iranian Cinema Before the Revolution

Author: Pedram Partovi
Publisher: Taylor & Francis
ISBN: 1315385619
Pages:
Year: 2017-07-04
Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative 'entertainment'. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian 'national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.
Six Turkish Filmmakers

Six Turkish Filmmakers

Author: Laurence Raw
Publisher: University of Wisconsin Pres
ISBN: 0299315401
Pages: 228
Year: 2017-11-14
Examining the vanguard of New Turkish Cinema, Laurence Raw shows how these films reveal the effects of profound socioeconomic change on ordinary people in contemporary Turkey. In analysis of and personal interviews with Dervis Zaim, Zeki Demirkubuz, Semih Kaplanoglu, Çagan Irmak, Tolga Örnek, and Palme d'Or winner Nuri Bilge Ceylan, Raw draws connections with Turkish theater, art, sculpture, literature, poetry, philosophy, and international cinema. A native of England and a twenty-five-year resident of Turkey, Raw interleaves his film discussion with thoughtful commentary on nationalism, gender, personal identity, and cultural pluralism.
Middlebrow Cinema

Middlebrow Cinema

Author: Sally Faulkner
Publisher: Routledge
ISBN: 131724740X
Pages: 238
Year: 2016-03-31
Middlebrow Cinema challenges an often uninterrogated hostility to middlebrow culture that frequently dismisses it as conservative, which it often is not, and feminized or middle-class, which it often is. The volume defines the term relationally against shifting concepts of ‘high’ and ‘low’, and considers its deployment in connection with text, audience and institution. In exploring the concept of the middlebrow, this book recovers films that were widely meaningful to contemporary audiences, yet sometimes overlooked by critics interested in popular and arthouse extremes. It also addresses the question of socially-mobile audiences, who might express their aspirations through film-watching; and traces the cultural consequences of the movement of films across borders and between institutions. The first study of its kind, the volume comprises 11 original essays that test the purchase of the term ‘middlebrow’ across cultures, including those of Europe, Asia and the Americas, from the 1930s to the present day. Middlebrow Cinema brings into view a popular and aspirational - and thus especially relevant and dynamic - area of film and film culture. Ideal for students and researchers in this area, this book: Remaps ‘Popular’ and ‘arthouse’ approaches Explores British, Chinese, French, Indian, Mexican, Spanish ‘national’ cinemas alongside Continental, Hollywood, Queer, Transnational cinemas Analyses Biopic, Heritage, Historical Film, Melodrama, Musical, Sex Comedy genres.
Women and Turkish Cinema

Women and Turkish Cinema

Author: Eylem Atakav
Publisher: Routledge
ISBN: 0415674654
Pages: 145
Year: 2013-01-01
Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military's intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation. The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women's issues and lives, in order to avoid the overtly political. Women and Turkish Cinema provides a comprehensive view of cinema's approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.
Turkish

Turkish

Author: Aslı Göksel, Celia Kerslake
Publisher: Psychology Press
ISBN: 041521761X
Pages: 580
Year: 2005
A complete reference guide to modern Turkish grammar, this work presents a full and accessible description of the language, concentrating on the real patterns of use.
A Student Grammar of Turkish

A Student Grammar of Turkish

Author: F. Nihan Ketrez
Publisher: Cambridge University Press
ISBN: 0521149649
Pages: 332
Year: 2012-05-17
A concise introduction to Turkish grammar, designed specifically for English-speaking students and professionals.
Women, Islam and Cinema

Women, Islam and Cinema

Author: Gönül Dönmez-Colin
Publisher: Reaktion Books
ISBN: 1861892209
Pages: 206
Year: 2004-11-04
The first book to examine the troubled relationships between women, Islam and cinema.
New Turkish Cinema

New Turkish Cinema

Author: Asuman Suner
Publisher: I. B. Tauris
ISBN:
Pages: 224
Year: 2010-02-15
Providing a sharp and engaging analysis of the films by internationally acclaimed new wave Turkish directors like Nuri Bilge Ceylan, Zeki Demirkubuz, Yesim Ustaoglu, Dervis Zaim, Serdar Akar, and Yilmaz Erdogan, this is the first full examination of contemporary Turkish cinema to be published in English. Asuman Suner explores the emergence of the new wave Turkish cinema against the backdrop of the drastic transformation of Turkey since the 1990s. Suner argues that this new cinema, including both commercial and independent productions, persistently returns to the themes of belonging, identity and memory; it is how films address these themes that constitutes a dividing line, with big budget popular films tending to settle contradictions into comforting resolutions, while independent movies demonstrate their paradoxical nature. At the same time, she addresses the divergences between popular and "art" cinema that destabilize the very distinction between these categories.
Colloquial Turkish

Colloquial Turkish

Author: Ad Backus, Jeroen Aarssen
Publisher: Routledge
ISBN: 1317305760
Pages: 348
Year: 2015-09-17
Colloquial Turkish provides a step-by-step course in Turkish as it is written and spoken today. Combining a user-friendly approach with a thorough treatment of the language, it equips learners with the essential skills needed to communicate confidently and effectively in Turkish in a broad range of situations. No prior knowledge of the language is required. Key features include: • progressive coverage of speaking, listening, reading and writing skills • structured, jargon-free explanations of grammar • an extensive range of focused and stimulating exercises • realistic and entertaining dialogues covering a broad variety of scenarios • useful vocabulary lists throughout the text • additional resources available at the back of the book, including a full answer key, a grammar summary and bilingual glossaries Balanced, comprehensive and rewarding, Colloquial Turkish will be an indispensable resource both for independent learners and students taking courses in Turkish. Audio material to accompany the course is available to download free in MP3 format from www.routledge.com/cw/colloquials. Recorded by native speakers, the audio material features the dialogues and texts from the book and will help develop your listening and pronunciation skills.
Salvation from Cinema

Salvation from Cinema

Author: Crystal Downing
Publisher: Routledge
ISBN: 1317429206
Pages: 204
Year: 2015-10-23
Salvation from Cinema offers something new to the burgeoning field of "religion and film": the religious significance of film technique. Discussing the history of both cinematic devices and film theory, Crystal Downing argues that attention to the material medium echoes Christian doctrine about the materiality of Christ’s body as the medium of salvation. Downing cites Jewish, Muslim, Buddhist, and Hindu perspectives on film in order to compare and clarify the significance of medium within the frameworks of multiple traditions. This book will be useful to professors and students interested in the relationship between religion and film.
Cinemas of the Other

Cinemas of the Other

Author: Gonul Donmez-Colin, Gönül Dönmez-Colin
Publisher: Intellect Books
ISBN: 1841505498
Pages: 176
Year: 2012
Updated collections of recent interviews with filmmakers whose works represent trends in the film industries of Central Asia and the Middle East, these two new geospecific editions expand upon the earlier volume Cinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia. Following an introduction delineating the histories of the film industries of the countries that make up the Middle East and Central Asia—including Iran, Turkey, and the Central Asian republics of Kazakhstan, Kyrgyzstan, Tajikstan, Turkmenistan, and Uzbekistan—both books contain interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. The striking variety of approaches toward each interview creates a rich diversity of tone and opens the door to a better understanding of images of “otherness” in film. In addition to transcripts of the interviews, each chapter also includes stills from important films discussed, biographical information about the filmmakers, and filmographies of their works. Gönül Dönmez-Colin offers in these expanded editions a carefully researched and richly detailed firsthand account of the developments and trends in these regional film industries that is sure to be appreciated by film scholars and researchers of the Middle East and Central Asia.